Série photo réalisée pour La Station Organique sur la rive nord de Montréal.
www.philbernard.ca
www.philbernard.ca
www.philbernard.ca
www.philbernard.ca
www.philbernard.ca
www.philbernard.ca
Portrait de Casting de Aude Mathieu
Photographe Montréal
Photographe Montreal
Portrait Lifestyle et corporatif
Potrait de Marc Demers Style lifestyle
Photographe Portrait Corporatif pour la Ville de Laval
Potrait de Marc Demers Style lifestyle
Photographe Portrait Corporatif pour la Ville de Laval
Montréal / Photographe / Portrait / Lifestyle / Corporatif
Portrait NON RETOUCHÉ de Valérie Plante pour Projet Montréal
Élection 2018 2019
Portrait Corporatif sur fond blanc.
Photographe / Studio / Portrait / Fond Blanc
Photo fait lors d'un repérage à la ville de Laval.
Hotel de ville de Laval pour des portraits Corporatif
Ville de Laval, Portrait, Photographe, Photographer , Lifestyle, headshot, montreal, Laval, Election Municipal, Marc Demers, 2018 , 2017, Photographe Montréal, Intérieur , Desing d'interieur, Architecture, hotel de ville, hotel de ville de laval, portrait corporatif
Série de portrait avec Julie gagne au parc de la visitation dans Ahuntsic ( Montréal )
Photographe , lifestyle , Portrait , été, exterieur, studio , shoot
Emily Jan creates intricately crafted, hyper-realistic installations made of a mixture of hand-made flora and fauna and found objects. These environments, like enterable museum dioramas, mix elements of high culture with low culture, science with mythology, and history with current affairs. Jan uses the local and the everyday to create bridges to the faraway and the fantastical. In her hands, common North American materials (wool, wicker, recycled cloth, found objects, and the ephemera of daily life) are transformed through labour-intensive processes. The creatures, wondrous and monstrous by turns, feel real but are entirely handmade. They are not taxidermy, but are emotionally believable to the point where they are often mistaken as such.
In this age of mass extinctions and climate change, the importance of being able to envision places we may never see, to hold space for them in our minds and in our hearts, is ever greater. And though not always overtly ecological, the work ultimately seeks to transport some of that distant experience to the viewer – to stretch the boundaries of our collective imaginings in order to encompass the unseen, to learn to love the unknown as well as the familiar, and ultimately to strive to weave all these strands into a larger narrative about what it means to be a human living in a world roiling with turmoil and catastrophe but yet which is still mysterious and beautiful.
